FÆMIN

by PROCESSOFGUILT

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  • Record/Vinyl

    Gatefold . 180gr Black Vinyl Limited to 400 / 180gr White Vinyl Limited to 100 (Sold Out)

    Includes unlimited streaming of FÆMIN via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 400 

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  • Compact Disc (CD)

    2nd Edition . Limited to 500. Numbered gatefold digifile with A3 poster.

    Includes unlimited streaming of FÆMIN via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 500 

     €10 EUR or more

     

  • Record/Vinyl

    FÆMIN Special Pack (Vinyl + CD)
    Vinyl: 180gr Black Vinyl/Gatefold - Limited to 400.
    CD: 2nd Edition . Limited to 500. Numbered gatefold digifile with A3 poster.

    Includes unlimited streaming of FÆMIN via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

     €20 EUR or more

     

1.
09:38
2.
08:07
3.
06:38
4.
07:37
5.
10:53

about

What the media have been saying about FÆMIN!

Pitchfork by Kim Kelly (UK)
"(...) Fæmin's strength lies in its strangeness, its marriage of industrial sensibilities, doomed prophecies, and forbidding ambiance. There's just not much else out there that sounds like this. (...) They also, impressively, manage to imbue the album with a true sense of personality: In the end, Process of Guilt's earnestness is as endearing as their brutal approach is beguiling."
pitchfork.com/reviews/albums/16736-fmin/

Rock-a-Rolla by José Carlos Santos (UK)
"(...) Imagine, if you will, that Neurosis hadn't come from a punk/Black Flag background in the 80's, but instead descended from an evolutionary
line including doom, Godflesh and, ouroborus-like, Neurosis themselves. If they had, their stylistic breakthrough album Souls At Zero might well have sounded something like Fæmin."
Rock-a-Rolla #38

Decibel by Rod Smith (US)
"(...) And riffs excepted (kinda, sometimes), Santos and guitarist Nuno David never so much as give tradition the time of day, often setting songs aflame with concise, magnificently executed melodic squalls and trem-picked solos too perfect situated in present time to remind us of anybody else's victories. One caveat: If your idea of proper doom hinges on suspending time, steer clear. Given their genre, these motherfuckers play fast."
Decibel #95

Metal Storm by Craig Lowden (US)
"(...) All in all it is a gripping, unrelenting listen. Once Fæmin gets its momentum going it is a crushing wall of sound."
www.metalstorm.net/pub/review.php?review_id=10795

Blistering by David E. Gehlke (Can)
"(..) By avoiding the melodic traits of their contemporaries, Process of Guilt is the nasty, dirt-saddled alternative in the post-metal game. The
sound is bordering on reaching the point where it will forever be leveled off, but on Fæmin, one can easily get the sense there is at least one band willing to fight against the tide."
www.blistering.com/fastpage/fpengine.php/link/1/templateid/26936/tempidx/4/menuid/2

Metal Injection by Jeremy Ulrey (US)
"(...) Owing mostly to the unflagging uniformity of the backbeat, there is a palpable industrial undertone to the entire 43-minute running time. The drums themselves sound organic and completely analog, but the way in which they're utilized recalls old Godflesh and Scorn. (...) Introspective yet subtly threatening, Process of Guilt eschew both the jazzy instrumental interplay of most post-metal as well as the primal scream therapy of your average sludge, but in doing so create something more personal and enduring."
www.metalinjection.net/reviews/cd-review-process-of-guilt-faemin

credits

released 01 May 2012

Mixed by Andrew Schneider at Translator Audio Studios, New York
Mastered by Collin Jordan at The Boiler Room, Chicago
Drums recorded at MDL Estúdios engineered by André Tavares
Guitars, bass and vocals recorded at 5ª Dimensão engineered by João Bacelar and Fernando Mendes
Lyrics: Hugo Santos
Photography: Pedro Almeida
Artwork and Design: Miguel Gomes and Hugo Santos

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